A Most Magnificent Body of Work – Part Three of Five

An armed and dangerous Ludmila Kolesnikova.

Continued from part two

Damn. That was delicious.

Placing her fork on the plate, Deborah has finished the complimentary breakfast placed in front of her by the stewardess who hasn’t shown her face in the cabin in the past twenty-six minutes. There doesn’t appear to be a “call” button anywhere, so she has no choice but to put the tray off to the side on the table next to her seat. She quietly burps.

Well, I guess that means I’m not going to eat the food I brought with me. Unless, of course, our trip is much longer than I’m expecting…

Which begs the important question plaguing her mind: How long is this flight going to be?

Many moments pass. Still no one willing to communicate with her. The cabin is, as expected, quite cozy. There’s about a dozen seats spread across the room with a table and stack of magazines adjacent to each one. Next to the door leading to the cockpit is the restroom. Deborah has yet to need to use the lavatory, but that time will come sooner or later.

It then occurs to her that her suitcase has been stashed away somewhere she doesn’t know. A mysterious crew member took it. So she couldn’t access her Tupperware even if she wanted to…

Fuck. Why the hell am I worried about that shit? I’m about to go off to God-knows-where and meet some enigmatic mega-millionaire (or is it billionaire?) who singled me out for this “date.” I could get murdered. Or horribly violated. Or I could come back home with a bag full of $1 million without a single hair on my head being harmed. Or the eventual outcome could be somewhere in between.

Fuck. Which will it be?

“All I can do is sit back and wait,” she says to herself.

Indeed, that is correct.

The plane eventually crosses a large body of water. Deborah guesses this is the Pacific Ocean. She’s never had a keen sense of direction, but it appears as though they’re heading west, maybe southwest. Hawaii, perhaps? Or Australia? Maybe Japan or China or the Philippines. Regardless, it’s going to be a long ass flight no matter where they’re going. It doesn’t seem like they’re landing anytime soon. So there’s no need to endlessly speculate or mentally attempt to map out where they’re going.

Thus, this calls for a nap.

Deborah gives in to her tiredness (she’s struggled to sleep for the past couple of days for obvious reasons) and closes her eyes. A few minutes later she’s fast asleep, dreaming about her old college days, ex-boyfriends, ex-girlfriends, and her childhood Labrador Retriever named Billy. She loved that old dog. She reckons she hasn’t seen him in almost twelve years. Holy shit. Time sure passes…

***

“Good afternoon, Miss Frost. We’re about to land in forty minutes,” a voice beckons, interrupting her peaceful slumber. Groggy and wishing she were still asleep, Deborah struggles to open her eyes but does so anyway. The voice belongs to that of Thin Fedora Man.

“Thank you,” Deborah responds.

Thin Fedora Man winks and returns back to the cockpit. What the fuck was that all about? He doesn’t seem like the type of chap who would wink at you. Whatever.

Deborah looks around and notices during her nap, someone – probably the elusive stewardess – closed all the shades, covering the windows completely. Just as she unbuckles her belt so that she can stand up and open one of them, the stewardess enters the cabin carrying a long piece of black cloth.

Amanda Ferre looking splendid.

“Hello, Miss Frost. Please, remain seated,” she says. Behind her a second crew member, who looks to be just as tall as Deborah and probably nearly as muscular, stands at attention. He’s probably there to ensure Deborah complies with the directions given to her. She is, however, in no mood to be disobedient and discover what the consequences would be for such insubordinate behavior.

“You’re going to have to wear this for the duration of our flight.”

Deborah passively nods her head in agreement, not that she has any choice in the matter.

“Splendid!”

The stewardess wraps the black cloth around Deborah’s head and ties it in the back. She is unable to see anything.

“Can you see anything?”

“No.”

“Good. That’s the idea!” She follows that up with a hearty laugh to lighten up the mood. Deborah doesn’t return the favor. She can’t tell if the stewardess is offended or indifferent to this.

“We’ll only be in the air for about thirty-five more minutes. Hang tight.” And just like that, she – and, presumably, the Hired Goon – exits the cabin. Deborah hears the door close. Well, that’s that. Now she has to “enjoy” the rest of her trip in complete darkness…

***

Eventually, the Silver Hawk lands on some kind of airstrip. Is it a private airport or a public one? Deborah has no fucking clue. All she knows is that this very long flight has come to a merciful end (she estimates it was between five and six hours long). Once the jet comes to a complete stop, Thin Fedora Man returns to the cabin and escorts her out of the plane.

“Follow me, Miss Frost. Take my hand for your safety.”

It burns Deborah’s feminist sensibilities to have to rely on a man to do the simple task of walking around, but with the black cloth covering her eyes she has no choice but to rely on his gracious assistance. He takes her to a car sitting on the runway. Deborah doesn’t hear any other airplanes landing or taking off, so she gathers they’ve landed on a private runway of some sort. She gets in the car and manages to buckle her own seatbelt. She has no idea if Thin Fedora Man gets in the car with her. The driver starts the ignition and rides off away from the airstrip.

The car ride is bumpier than she was expecting. There are lots of swerving, turning, and climbing uphill. Holy fuck. Where does this motherfucker live? On top of the Himalayas?

The driver doesn’t speak a word. But then again, what pleasant conversation was she going to have with him?

At last, the car stops and the driver kills the ignition. The door opens, most likely by Thin Fedora Man. Deborah gets out and stretches her long legs.

“We’re finally here. Are you feeling jetlagged, Miss Frost?” Thin Fedora Man unties the blindfold, liberating Deborah’s sensitive skin from the raggedly cloth.

“A little bit. I need a stiff drink. Does your client have any whiskey?” Adjusting her eyes to her new surroundings, Deborah blinks several times so that she can grow accustomed to the sunlight, which has evaded her for the past hour or so.

“Quite a few. His collection is impressive, if I may say so myself. Shall I tell him that you’d like to sample some of what he’s been able to obtain over the years?” Thin Fedora Man offers.

Before she can cordially respond, Deborah’s jaw drops at the sight of her new environment.

“Holy shit!”

She finds herself standing in front of a gorgeous marble colored mansion overlooking an exotic tropical beach. The mansion is complete with a swimming pool off to the side, a miniature golf course in the backyard, a shiny red Lamborghini sitting in the driveway, and a beautiful lighthouse majestically arranged on top of the orange clay tile roof on the far side of the building. Palm trees and impeccably trimmed hedges line the driveway. It appears as though they’re on top of a hill, situated right above the water. A cool breeze greets her. Deborah has only dreamed of visiting a home like this, never mind actually being able to spend a single night in it. Holy shit, this guy definitely has a lot of money lying around…

“It’s a lovely house, isn’t it?” Thin Fedora Man boasts with a grin. Deborah can only wordlessly shake her head up and down. The car that took her here begins to drive away. She sees her black suitcase sitting right next to her. She picks it up and follows Thin Fedora Man indoors.

Once inside, the interior of the mansion is just as stylish as one would expect from a place like this. Greek nude statues stand at attention in almost every room. The furniture looks specially made for the owner. Rich and colorful tapestries hang from the ceiling. A Turkish rug meets them at the doorway. A small army of butlers, cooks, housemaids, and personal assistants furiously scamper around like ants in a colony trying to please the Queen Ant. Or is it the King Ant?

This is what the mansion most likely looks like.

“You will meet him shortly. For dinner. Which is in one hour. Before then, everyone here, including myself, will vacate the premises and leave the two of you alone for the entire night,” Thin Fedora Man warns. “It’s how he wants it. It’s all part of his plan.”

It is at this moment that Deborah notices hundreds – it may not actually be hundreds, but is sure seems like it – of paintings of muscular women hanging on the walls. The tapestries are only in the first room she walked through. The paintings look personalized. They feature everything from female Trojan warriors to hypermuscular female Samurais to, of course, stereotypical Amazon warrior princesses. Why not? That’s to be expected.

“In the meantime, what should I do?” she innocently asks Thin Fedora Man.

“I will take you to your bedroom. You probably won’t sleep there tonight, but you can put your suitcase there for now. And, I hear he has a special outfit he wants you to wear for supper tonight.” Thin Fedora Man snaps his fingers and a short Hispanic woman with gray hair stops what she’s doing and obediently approaches them. “Take Miss Frost to her bedroom, please.”

The Hispanic woman nods her head silently. Deborah intuitively senses sadness in her eyes. She immediately feels sorry for her – and everyone who works here, for that matter. They might be getting paid generously, but she gets a creepy vibe from everyone. Is this a palace or a prison?

Deborah is led upstairs to the top floor. The Hispanic woman opens the door to a bedroom (it seems like there are at least three dozen bedrooms in this place) and motions for her to enter. Deborah does. Just as she’s about to thank her for being so helpful, she suddenly closes the door and locks it. Deborah tries to twist the knob open, but to no avail. She’s locked in. Until they let her out. For dinner. Which is in one hour.

Fuck me.

Deborah then looks at an elaborate costume hanging in front of a full-length mirror. It’s a detailed and very accurate replica of Lucy Lawless’s signature costume from Xena: Warrior Princess, a 1990s TV show she will not hesitate to admit she loved watching growing up. Apparently her host did too. Wait, does he actually expect her to wear this? For dinner?

Apparently he does.

Double fuck me.

***

After putting on the outfit – which, as remarkable as this sounds, fits perfectly as if someone had measured her body beforehand – all Deborah could do was sit on the bed and watch the clock tick toward 5:00 p.m. It’s now a few minutes before. That means dinner should commence any moment.

Before, Deborah felt insulted that she would be asked to wear such an outfit to dinner. However, she can now admit she looks fucking sexy in the Xena costume. It’s skimpy (of course) and generously shows off her large muscles.

A knock on the door startles her.

“Um, yes?”

“You are invited to join the host for dinner, Miss Frost,” Thin Fedora Man says.

Deborah gathers her composure, looks at herself once more in the mirror (she’s still damn impressed, despite her nervousness, at how she’s slaying in this outfit), and takes a deep breath.

A seaside bedroom.

“Thank you. I’m ready.” With that, Thin Fedora Man unlocks the door and opens it. Deborah gallantly exits the bedroom and looks at Thin Fedora Man in the eye. He rarely shows any emotion, but even he’s a red blooded male who cannot help but look upon her curvaceous muscles with lust.

“You look…absolutely stunning,” he remarks in a near trance-like state.

“I do my best,” Deborah quips.

Also trying to keep his composure, Thin Fedora Man leads Deborah downstairs to the dining room. For what feels like several miles – it is a big fucking mansion, after all – Deborah is once again in awe of the size and opulence of her surroundings. Wow, the rich sure do know how to live, don’t they?

They pass by the kitchen, which looks more like a restaurant-quality kitchen than one you’d typically find at someone’s house. The chef stops what he’s doing and takes a look at Deborah wearing the sexy Xena outfit. He almost drops a sharp knife on his foot, but thankfully does not and manages to keep a handle on it. Whew.

Finally, they reach the dining room. Thin Fedora Man motions for her to enter the room. She does. A larger-than-life twenty-five foot long dining table greets her. A lily white cloth covers the entire surface, with an ice sculpture of the Greek goddess Athena sitting in the middle. An impressive Japanese flower arrangement surrounds the sculpture. But before Deborah can fully process the finely chiseled piece of frozen water immodestly presented in front of her, she glances at the far end of the table and sees him.

You know. Him.

“Good evening, Miss Frost. It’s a pleasure to finally meet you. My god, you look absolutely stunning,” he says. The man stands up and confidently approaches her. Deborah almost faints when she realizes who it is.

“You’re….uh, you’re Jonathan Westmore!”

Jonathan smirks. He extends his hand. She extends hers and they shake. He’s taller than she anticipated, which is especially telling considering she stands at an imposing 6’2”. After for what seems like an eternity, Thin Fedora Man clears his throat. Both Jonathan and Deborah turn their attention toward him. Standing behind him are two wait staff carrying plates of food.

“Ahem. Dinner is now ready to be served. After we clean up in the kitchen, everyone on the premises will be ready to leave, as your instructions dictate,” he says.

“Thank you, Robert,” Jonathan calmly acknowledges.

Hm. “Robert” is Thin Fedora Man’s name? Uh, alright. I was expecting “Humbert” or “Carruthers,” but Robert will do, I suppose.

Robert leaves as the two staff members place the plates at their respective spots. Jonathan and Deborah are still standing face-to-face, neither of them willing to move an inch.

Lucy Lawless as Xena: Warrior Princess.

“Oh my god. Never in a million years would I expect you to be the man arranging this whole thing,” Deborah says. Her eyes are focused intently on Jonathan’s handsome face.

For those of you who are not aware, Jonathan Westmore is the former CEO of Westmore Capital, a venture capital firm that’s launched more than thirty of the largest corporations in the world. He inherited the company from his father, Peter Westmore, who founded the company shortly after returning home from serving in World War II. Peter married and divorced several times, but eventually settled down with a woman named Linda Sharpe, who once posed nude for Playboy and was at one point in her life considered a “rising superstar” in the modeling industry. After marrying Peter, she abandoned that dream and instead settled for living life as an ultra-wealthy housewife. Later, Jonathan was born, along with several other brothers and sisters. When Peter passed away in 1983, Jonathan, who was only 23 years old at the time, took over the reins of his father’s empire.

Jonathan transformed Westmore Capital from a largely successful American company into one of the most successful financial firms in the world. He became a celebrity who was even more popular than his father. He dated models (just like his mother used to be), Hollywood starlets, pop singers, Olympic athletes, and the daughters of other rich men. In 2012 he ran unsuccessfully for President of the United States of America as an independent third-party candidate. Deborah, and plenty of other women, voted for him. When you’re as rich, successful, and devilishly handsome as Jonathan Westmore, why the fuck wouldn’t you vote for him?

Alas, he had no chance of winning the highest political office in the nation, and simply retired from public life afterward. He stepped down from the company and appointed his daughter, Stephanie, as the new CEO. Though in his mid-50s, Jonathan still remains unmarried ever since his divorce from his fourth wife in 2005. Deborah has definitely had dreams of marrying him and living in one of his (many) stylish mansions across the globe, but she knows such a dream is likely never to come to fruition.

Except, after this stunning revelation, it very well could happen!

“Life can be full of surprises,” he laughs. “Please, sit down and enjoy supper.”

The menu tonight includes prime rib, mashed potatoes, grilled asparagus, a stuffed tomato, and a kale and pear salad. A $5,000 bottle of Chateau Île de Bourguenolles wine complements the succulent meal. The wait staff promptly exits after their duty is finished. Jonathan and Deborah sit down at the table. She places the napkin on her lap, but notices her host staring at her conspicuously, visually taking in every single inch of her muscular flesh.

Prime rib. It’s what’s for dinner.

“You are the most beautiful woman I’ve ever seen, Miss Frost. May I call you Deborah?”

Deborah almost swallows her tongue at the sound of Jonathan Westmore saying her name like that. God damn, what’s the over-under on how long she can last without collapsing to the floor?

“Uh, of course you can call me Deborah! Debbie, if that floats your boat.” She takes in a deep breath, wanting to prevent herself from hyperventilating. Jonathan senses her nervousness and tries to put her at ease.

“Please, Debbie. It’s okay. You’re safe. There’s nothing to worry about. Let’s just sit back, relax, chat, and enjoy this delicious dinner,” he reassures her.

“I’m not scared. I’m just, you know, a bit overwhelmed at this whole thing,” she says. “Never in a million years did I expect to ever be able to meet you, Jonathan.”

He smiles, which melts her heart. She doesn’t notice that her left breast is completely hanging out of her costume, exposed for everyone to see. Her nipple is erect, signaling her arousal. Thankfully, she is blissfully unaware of her immodesty.

“Well, here you are. And here I am. But I’m famished. Shall we eat?”

She nods her head. Jonathan takes a sip from his glass of wine and beams with approval.

“Excellent! Bon appétit, Debbie dear.”

To be continued…

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Halloween is Every Day for Female Bodybuilders

Dena Westerfield wants to suck your blood!

Dena Westerfield wants to suck your blood!

Every October 31 we celebrate a very odd holiday. People of all ages dress up in costumes, artistically carve up pumpkins, attend spooky themed parties and/or wander around their neighborhoods begging strangers to hand out candy.

No candy? No problem! Unless, of course, you don’t mind your house getting egged, toilet papered or surrounded by flaming piles of dog feces.

The concept of Halloween, according to experts in folklore, dates back to Celtic “pagan” traditions of welcoming in the harvest season. Halloween also might be rooted in Festival of the Dead-type traditions where people honor their dead relatives and usher them into the Afterlife. In the United States, a Catholic-inspired Cajun tradition began in the early days of North America to spend a nocturnal Mass at graveyards to bless the souls of the deceased.

Getting a creepy vibe already?

But today, let’s face it. Halloween is all about having a socially acceptable reason to dress up in silly costumes, watch scary movies and eat too much sugary candy. Plus, Halloween sort of officially kicks off the “holiday season” which includes Thanksgiving, Christmas and New Year’s.

Some costumes range from the innocent to more “adult.” Some people will go as doctors, firefighters, kittens or Spider-Man; while other will choose the more family-friendly route and become a stripper, dominatrix or slutty nurse.

Whatever. Your choice of costume is your choice alone, as long as the company you work for doesn’t have any strict policies against publicly embarrassing yourself.

Now this is one Halloween party I'd like to attend! Here we have Annie Rivieccio, Aleesha Young and Alina Popa.

Now this is one Halloween party I’d like to attend! Here we have Annie Rivieccio, Aleesha Young and Alina Popa.

We dress up because it’s fun to pretend to be something we’re not, even if only temporarily. As kids, we wanted to be Superman and Wonder Woman. So if we dress up like them, isn’t that close enough to living out our dreams?

Perhaps, but there’s another reason why we dress up: to celebrate Halloween’s macabre roots. Zombies, vampires, serial killers, ghosts, goblins, ghouls, monsters and politicians are all par for the course. Who doesn’t like to channel their inner Jason Voorhees or reenact a scene from Night of the Living Dead? Whatever is most frightening is often the most fun.

These two reasons might explain why, as absurd as this may sound, for a female bodybuilder every day is Halloween. Every day is their chance to “dress up” and become something different. To become something superhuman, unworldly and strange. Many fans of female bodybuilders may not consider the presence of a muscular woman to be “ghoulish,” but unfortunately some people out there do. So let’s celebrate Halloween this year by paying tribute to the ladies we love 365 days a year.

Her body is her costume

Every single time an FBB goes to the gym to train, isn’t she essentially creating the “costume” that she’ll wear every single day of her life? Except in this case, her costume is her own body. It doesn’t consist of hats, tights or capes; but instead muscles, veins and sharp angular curves.

It takes a lot of work to achieve the physique of a Katka Kpytova or Alina Popa. Strict dieting, strenuous weightlifting, supplements, drugs, mental toughness, hardcore dedication and sacrifices are necessary to reach that level of muscularity. Not too many people in this world are that dedicated to their craft. But those who are should be very proud of their work.

When a woman builds bulk on her body, she’s making a decision to sculpt a better version of herself. She’s changing her identity. She’s breaking the mold of convention and embracing the nontraditional. Whether she intends to compete or not is irrelevant. The desire to gain maximum muscularity is a statement unto itself. It says “I’m reinventing myself, whether you like it or not.”

The concept of reinventing one’s self through the lifestyle of bodybuilding is fascinating. If our “traditional” idea of femininity includes slender arms, lush curves and a small frame, a female bodybuilder tosses all of that out the window. Her rebooted identity defies these norms while at the same time creating new ones. “Feminine” doesn’t have to be a euphemism for “weak.” It can mean so much more.

Her muscles are what define this new identity. Because muscles are not typically associated with femininity, women like Debi Laszewski are not seen as traditional women even though their womanhood hasn’t changed one iota. Deep down inside, Debi has always been Debi. Even before she took up bodybuilding, Debi was Debi. Now that she’s a world class athlete, she’s still Debi.

You don't want to get on Maribel Barnes's bad side!

You don’t want to get on Maribel Barnes’s bad side!

Think of it this way: the mere presence of muscles on a woman’s body doesn’t change anything about her. Whether someone changes their appearance for the better or for the worst, who they are intrinsically doesn’t change. Yes, an FBB may gain more confidence during her training, but her inherent identity hasn’t been altered by a single degree. Everyone has an identity. Your body’s appearance is just one facet of that.

In this respect, a female bodybuilder’s muscles act as her “costume” or “uniform.” To put it another way, a football player becomes a football player once they put on their pads, helmet, shoes and protective gear. When it’s not game time and they’re dressed in “street clothes” out in everyday life, they’re no longer a football player. They’re just like you and I. Sometimes, the uniform makes all the difference.

Likewise, an FBB’s muscles acts as her professional uniform. It informs us about who she is and what she does. But that’s not all that there is to her. She’s so much more than her appearance. Her thoughts, feelings, beliefs, actions, relationships, opinions, interests and everything else encompasses her entire identity. Her body is just the uniform she wears as a result of her chosen profession.

Like other self-revealing occupational uniforms (a construction worker’s hat, a doctor’s smock, a radio DJ’s headset, etc.), a female bodybuilder’s muscular body is an instantly identifiable clue as to what she does for a living. It’s her way of announcing to the world what she’s passionate about. It’s an outward expression of self-identification. Her muscles are her costume. Her muscles are her uniform. Her muscles are not her entire identity, but it’s a very important part of it.

Her body as a grotesque costume

It’s maddening. It’s ridiculous. It’s blatantly sexist and stupid. But this train of thought still exists: Muscular women are gross. They’re disgusting. They’re not real women. They’re women who are trying to become men. They’re revolting to look at. They shouldn’t look like that. Blah, blah, blah.

While the previous point talks about a female bodybuilder’s muscles being her living costume, this point discusses her muscles as other people perceive them. Unfortunately, not everyone perceives them in a positive light.

For many people, an FBB’s muscles make her a monster. It makes her a freak. It changes her identity, but not in a good way. It’s scary, frightening, disturbing, repulsive and lots of other synonyms that would tear a thesaurus in half. Her Halloween costume resembles that of a horror movie villain rather than an elite athlete. These perceptions explain why more women don’t lift weights at the gym and are afraid to pick up a dumbbell heavier than 8 pounds.

I've never seen the film "Blood + Kisses" starring Denise Masino, but I'm sure she's very sexy in it!

I’ve never seen the film “Blood + Kisses” starring Denise Masino, but I’m sure she’s very sexy in it!

Thus, another reason why every day is Halloween for female bodybuilders is because for many folks out there, an FBB is a walking and breathing humanistic monstrosity of distorted femininity. Her Halloween costume is her “man-like” muscles that obviously make her so unattractive. Whether her motivation for gaining muscle mass has anything to do with a deliberate attempt at reorganizing her gender identity has nothing to do with this perception. For far too many people, a muscular woman is nothing more than a woman pretending to be a man (or to put it another way, she’s “unnatural” for looking like that).

Or, wanting to become a man. Short of undergoing gender reconstruction surgery, adding muscle bulk to her body is the next best option. This opinion is far from being the most popular reason why women decide to pursue bodybuilding. Most do it for the sport. Others do it for self-empowerment. For many, it might be a “hobby,” but one that they take a bit more seriously than knitting or collecting postage stamps.

For the men and women out there who are genuinely sickened by muscular women…well, that’s life. There’s very little that will change overnight. They might view her like a sci-fi creature from a mad scientist’s laboratory, but the rest of us know better. It’s only a matter of time when women like Lisa Cross are celebrated as much as mainstream female celebrities like Jennifer Lawrence.

If Tina Chandler wanted to arrest me...yeah, I'd let her.

If Tina Chandler wanted to arrest me…yeah, I’d let her.

Trick or treat?

Just so we don’t end this discussion on a sour note, imagine this scenario playing out in your actual life:

You’re going out trick-or-treating. Let’s say you’re an adult, but you live in a neighborhood where it’s socially acceptable for grownups to knock on doors and ask for candy. It’s getting late, so you know it’s about time to start wrapping up this confection excursion. You have one house left to visit. It’s nearing 9 p.m. (your self-imposed bedtime is 9:30 for whatever boring reason) and your bag of candy is still not completely full.

You knock on the door of a strange brick house standing on the top of a steep hill. It’s covered with moss, ivy, chipped paint and cobwebs. You’re alone. Your heart races but you’re still insisting on gathering as much sweet loot as possible. You approach the house cautiously. You knock once. No answer. You knock twice. Still no answer. You knock thrice. Once again, there is no answer. You wait a beat. Then two beats. Then three. Several more beats pass by, then you finally give up and start to walk back to the main street. Then, out of nowhere, you hear the door open. It creeks loudly. You turn around. And you see who answers the door.

Monica Martin. MEOW!

Monica Martin. MEOW!

It’s not one, nor two, nor three, but seven gorgeous female bodybuilders having some sort of a spooky soiree. They’re all in costume, ranging from Elvira to a cannibalistic Nazi zombie stripper to a trial lawyer. Seven tall, thick, highly muscular women with the most beautiful faces you’ve ever seen. They seem intrigued by you. They look you up and down at your wimpy frame and even wimpier costume. A glow-in-the-dark cartoon skeleton? Seriously? That’s the best you could do?

The host FBB speaks first.

“Are you here to trick-or-treat?” she asks. Her low, gravelly voice seems to shake the foundations of the Earth.

“Uh, yes. That’s why I’m here ma’am,” you answer timidly.

The seven start to laugh. You might have heard laughter from several other female bodybuilders inside the house that you can’t see. The leader raises a hand to hush everyone up. Everyone becomes silent. But their gaze is still exclusively on you.

“Good,” she begins. “Then you should come on in. We’ve got a very big treat for you.”

The seven FBBs move to the side of the door, inviting you indoors. You can clearly see that the house is infested with beautiful muscular women, all of them more muscular and more beautiful than the rest. There must be several dozens of them in there. Their costumes are very sexy. Everyone is scorching hot beyond description. You’re speechless.

But you go inside nevertheless. The door closes behind you. The party commences.

Happy Halloween!